Wednesday, March 16, 2016

Cinemasterworks: "Ballistic: Ecks Vs. Sever"

I'm just gonna list some facts here.
This film has a 0% rating on Rotten Tomatoes.

According to Wikipedia, it's one of the worst films ever made.

It only made $19 million of its $70 million budget back at the box office.

The film is directed by a person named "Kaos." (Now that may sound pretty x-treme. But "Kaos" is actually short for "Wych Kaosayananda." He was a son of a Thai diplomat who lived and studied in Pakistan. The more you know.)

Now here's the rub- let's talk about the film's writer. This man I've never heard of- Alan McElroy- also wrote Left Behind, Spawn, Halloween 4, Rapid Fire, Wrong Turn, and Resident Evil. That's a man with nothing left to prove. And nothing to lose. Just like a rebel cop who doesn't play by the rules...
So let us now praise the glories of Ballistic: Ecks Vs. Sever.

The movie makes no sense. A kid gets kidnapped in the opening scene and we don't learn why he was kidnapped until after he's rescued in the last 10 minutes of the film. And even then, the thing that made the kid special doesn't make sense if you think about it.

Ecks and Sever are two rogue agents who fight (unnecessarily, for the most part) for the first half of the film and team up for the second half. So why the "Vs." in the title? The other well-known "Vs." movie- Freddy Vs. Jason- makes sense, because Freddy and Jason are primarily antagonists in there. Plus, they each have a strong back story. They merit a title with their names in it. But who is "Ecks" and who is "Sever" and why should a viewer approaching this film care that the two of them are in opposition? This is an unsolicited event movie that's totally uneventful.

The finale is set in what Roger Ebert calls "a smoke and fire factory." It looks like every other factory in every other film. A main character and a main bad guy throw their guns aside and have a hand-to-hand fight for no reason other than that is something that this movie has seen other movies do at this point in the movie.

There are constant explosions, chase scenes, shoot-outs, miscellaneous action...and it's still boring! Every scene plays out in a limp and lethargic way, with one shot after another delivering non-stop decaf action that just won't start.

The person who shot this film doesn't understand how to stage action or conversations or even how to set the simplest tone. The editor needs to be cited for the random slo-mo and sped-up shots too. They happen for no reason. Like most things in this film.

The music is incredibly generic. Every scene has multiple random songs playing over it, often shifting from one song to another like the sound editor got bored and changed the radio station. It sounds like a 55-year-old executive's idea of what he thinks a teenager would like.
CREDIT WHERE CREDIT IS DUE- there are four good shots in the film:

-Lucy Lui leaps past a 15-foot-tall window that shatters and sprays a mist of glass over her.
-A guy falls off a roof and the overhead camera follows him all the way to the ground and he lands on a car. (The scene doesn't appear faked, either, so someone got hurt or it had exquisite CGI.)
-An overhead shot of an exploding train car fills up the frame with an ocean of fire.
-Antonio Banderas races through a series of explosions on either side of him and one of them actually appears to spray debris and sparks on his face. (Again- he either got hurt or it was solid CGI.)

There. I've been as fair as I can be to this film. It's really not good. Everything you've heard about this legendary bad movie is true. And it's not bad enough to be enjoyed as a bad movie. It's just kind of annoying. Watch it only if you can do so with a friend who can mock it relentlessly along with you and make "Ecks" puns for 90 minutes.

"This is ECKS-cruciating!"
"Wonder if that guy's an ECKS-ecutive at ECKS-on? Or if he was fired, he'd be an ECKS-ECKS-ecutive at ECKS-on."
"Look at all those ECKS-plosions! That's just ECKS-traordinary!"


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Friday, March 11, 2016

Literateur: "400 Things Cops Know"

There's a famous line from The Crow: "It's not a good day to be a bad guy."

One could say something similar these days: "It's not a good day to be a cop."

The boys in blue are not doing great in the public eye lately. One story after another about police brutality or unjustified shootings, often with a strong racial component.

Also the increased militarization of the police force with unnecessarily extreme military surplus weaponry.

Not to mention local police routinely making use of illegally obtained information (and then lying about how it was obtained) to lock up minor law-breakers via tools that were intended to fight terrorism.

And an evolution from the 50's perspective of "cops & good guys vs. bad guys" to the current perspective of "cops vs. civilians."

And police dishonesty and corruption.

Not good, any of it.

If any of us are victims of crime, it's nice to know we can rely on our police force to help us. But for most of us, our only interactions with police officers are nuisance automotive pull-overs where they jack us for two day's pay because we went a measly 6 miles over the speed limit or failed to come to a complete stop at a stop sign EVEN THOUGH THERE WERE NO CARS OR PEDESTRIANS WITHIN SIGHT.

There was even a recent movie called Let's Be Cops that was considered controversial on the basis of its title alone. (Which was ridiculous, as the real scandal was how painfully unfunny it was- that scene where the impostor officer distracts the gangbangers by dancing? Oof.)

So this isn't the best time and place for a book with a sympathetic inside perspective on the life of a police officer.

But this is the book the world needs right now.

400 Things Cops Know is a brilliant, bitingly funny, heartfelt, and painfully honest take on life as a police officer and the world they live in and the world as they see it.

It's strong medicine to help us not excuse the misdeeds of bad cops, but to understand the mentality of officers in general, and give us a glimpse of what they deal with and what it does to their minds (and bodies). And it could even help you in your dealings with officers, as it will tell you what triggers them and what puts them at ease.

It didn't make me forget all the problems of police in our present society, but it opened up a new world to me, one well worth a closer look.

I laughed nonstop while reading it and also found myself frequently pausing and thinking about the darkness and evil in the world around me and how little of it I see with my own eyes and how lucky that makes me.

Highest recommendation.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, March 9, 2016

Cinemasterworks: The End of "The Butterfly Effect"

(Full disclosure: I don't care for Ashton Kutcher. Pretty sure you don't care for him, either. With that out of the way, let's look at this movie on its own merits.)
I saw The Butterfly Effect on DVD over a decade ago and it haunts me to this day. Never watched it again. Never wanted to. It hit me too hard.

Now you may have seen The Butterfly Effect and are thinking "Huh? Why would you give that movie even a second thought?" The reason you're thinking that is probably because you saw it in the theater. Or you saw the theatrical version on DVD. That version has a studio-mandated happy ending.

The non-theatrical "unrated" version of this film has the most devastating ending that I have ever seen.

And I have seen a lot of devastating endings.

Context

To set it up for you, here's the story: a guy has childhood blackouts where he awakens and finds his life has been irreparably and inexplicably damaged each time. As an adult, he discovers the ability to send himself back in time into his own body at specific points. These points happen to match his blackouts. Every time he goes back he tries to fix the damage he's done, but every time he makes his life and the lives of his friends and loved ones worse. (Basically- his time-travel attempts to fix his life are the very things that ruin his life.)

To time-jump, he has to look at a video or memento of a moment in time, focus on it, and then his consciousness transmits there. He gets ominous hints throughout his life that he was never meant to exist; that his life is outside of time. Also: after every time-jump, he emerges back in the present with less sanity.

So by the end of the movie, he's completely lost his mind and is a gibbering mess in an institution. But he still recognizes that his involvement with the woman he loves will destroy her no matter how he tries to fix it. So he comes up with a final solution for how to protect her from him.

This is the solution: (Spoiler, obviously. Nothing R-rated in here, just the most emotionally devastating thing ever) https://www.youtube.com/watch?v=1wSH1SpQh9c

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I'll pause here. It's worth five minutes of your life.

Unless you're emotionally fragile or depression-prone, go ahead.

* * *

You make it through? Good. You okay? I presume not. I'd give you a hug right now if I could.

Obviously, that scene hits you harder in the context of the film, but HOLY CRAP, right?

No one warned me about this. I had no idea they were going there.

I was shaken for days after seeing that. And it still gets to me whenever I think about it. Much more so now that I have kids.

How To Wreck a Psyche

Let's break down the sheer brutality of this scene:
1) A fetus kills itself. The fetus has the consciousness of an adult at the time, but this is a just-about-to-be-born baby boy taking his own umbilical cord and strangling himself with it.

2) The mother loses her fourth child in a row. After three stillborn children, she experiences a fourth. In the delivery room.

3) Implication of the "fourth child" death. Her other children may have done the same thing. The ability to time-jump may be genetic, so it's highly probable that those three people also found a way to get back to their womb and destroy themselves there rather than live and damage the lives of their loved ones.

4) The most drastic heroic suicide ever. A lot of stories have ended with the main character sacrificing himself to save people. This is the first one I've seen where a character goes back before his birth and erases his own existence to save people.

5) Anti-It's a Wonderful Life ending. This movie presents the incredibly dangerous notion that maybe everyone in your life is better off without you. What if you were never born and never had a chance to hurt anyone? Would people be happier? Would loved ones suffer less? When you break down the good and the bad, are you better off never existing?

No Middle Ground

The weak-sauce original ending is here, if you feel like watching something that will make you shrug.

According to Wikipedia, they shot two other endings, too. Read about them and you'll agree: both pathetic.

There is no middle ground here.

The "director's cut" ending is the most emotionally intense ending ever. And the "theatrical" ending is the biggest cop-out in the history of cinema.

Everything in the film up to that point made it clear that any meddling in the past will have incredibly bad unintended consequences. But the cop-out ending tells us that all he had to do to fix everything was go back in time and say something mean to his beloved. This scares her off and makes her never see him again.

HUH?

Nothing worked up to that point- and he tried a LOT of things- but one little mean comment somehow makes everything okay and fixes the lives of everyone involved?

NOPE.

It's a nice thought, but I don't buy it. And it undercuts everything else the film just told us.

But Just To Be Clear

I'm not saying the "director's cut" version is a good ending. And I'm not saying it's a helpful ending. Just that's it's effective, and the right ending for this story based on the rules this story establishes.

I sincerely hope that no psychologically frail people see the brutal ending and take it to heart, thinking that suicide is a legitimate solution for the problems in your life and in the lives of loved ones.

That's a very very dangerous concept.

I've been through dark periods where I've been paralyzed by depression and the thought that not existing would be terrific. When you feel like nothing works, nothing matters, and everything you do seems to just make things worse, it's easy to think that giving up on everything is a good idea.

This couldn't be more wrong.

The old cliche is 100% true: suicide is a permanent solution to a temporary problem. You're not just destroying everything you are, you're destroying everything you'll ever do or be. You're robbing yourself of growth and learning opportunities and inflicting unimaginable pain on the people that care about you most. Suicide is a bad idea, is what I'm getting at here.

(Euthanasia for patients in extreme and constant pain is a totally separate issue, one that I'm not gonna touch here. I'm just addressing suicide driven by emotional pain.)

When you can't think more than a few days ahead, or if you see a black void where your future is supposed to be, TALK TO SOMEONE. ANYONE. IMMEDIATELY. People care, whether you realize it or not.

Also: don't watch the unrated version of The Butterfly Effect.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, March 2, 2016

Literateur: "Werewolf Smackdown" by Mario Acevedo

Got this as a Christmas present, laughed at the silly title.

Then I looked closer and saw that it was the fifth book in a series. ALARM! DANGER!

And then I realized I'd read the first book- The Nymphos of Rocky Flats- way back when. That one's about a vampire private eye investigating an outbreak of nymphomania at a nuclear power plant.

That was just about enough for me, so I skipped the sequels- X-Rated Bloodsuckers, The Undead Kama Sutra, and Jailbait Zombie. I presume they're coming-of-age dramas.

But look at this one- it's called Werewolf Smackdown!
How can you not love that?

Vampire private detective Felix Gomez is caught in a gang war between rival werewolf tribes. Shenanigans ensue!

It's fun, the writing is zippy, every chapter ends on a cliffhanger. If this sounds like a thing you'd like, you'll like it.

It has some cheese-tastically fun lines:

“We cast no shadow on the outside, but the inner shadow- the black stain of our damnation- points to the void in our soul.”

“I need this guy like I need a turd in my salad.”

“She wore a Revolutionary War period dress with the bodice cut so low she was one hiccup away from indecent exposure.”

Now enough of that. Let's talk vampires. They suck.

Ha-ha.

But seriously, I'm not a vampire guy.

As the years pass, I care less and less for these creatures. I don't find anything appealing or erotic about biting necks or wrists.

And blood-drinking is just gross. Say what you will about zombies and zombie bites, at least they forego pretense. If zombies are biting your neck or wrist, they're trying to take a big old chunk out of you in order to get you in their belly. No sexiness involved.

It's like the Hellraiser series' insistence that there's something erotic about violence and torture- I just don't get it. And I don't get why any of you get it.

I don't like sympathetic vampires because I don't sympathize with them. They exist to devour us. Stake the darned things before they bite you!

Most vampire stories are boring and repetitive. As a rule, I give them a blanket dismissal.

This is the part where my wife mocks me mercilessly, because every time she hears me say something negative about vampires and how I don't like any vampire stories, I always follow that with:

"...well, except for the books I Am Legend, 'Salem's Lot, Midnight Mass, Carpe Jugulum, Abraham Lincoln: Vampire Hunter, The Keep, Dracula, The Dracula Tape, and the first section of The Passage. And the movies Nosferatu, Horror of Dracula, The Lost Boys, 'Salem's Lot, Blade II, Cronos, Near Dark, Only Lovers Left Alive, Interview With the Vampire, What We Do in the Shadows, Daybreakers, and The Monster Squad. Oh, and all the Universal Dracula films. Also Buffy and Angel are pretty fun."

So, yeah. I'm not a vampire fan. But I'm not very good at not being a vampire fan.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, February 24, 2016

The Best Words: February 2016

As a public service once a month, I share a few of my favorite things. These things are all quotes. If you also want to see what I think was funny on Twitter, here's the link. And here us goes!
“What a fantastic death abyss!”
-David Bowie, “The Heart’s Filthy Lesson”

“Art is advertising – just for important ideas and emotions.”
-Alain de Botton

“Millennials have been loaded with the “do what you love” mentality before we actually get a chance to do anything. So we’re all pulling out our hair trying to figure out what it is we love so that we can actually do it. So many of us in our culture are writhing in pain because we’re following our desires out of some distorted moral duty that says we have to be true to ourselves."
-Kyle Stiemsma

“As things fell apart, nobody paid much attention.”
-Talking Heads

“Being Loved: the feeling that another person properly recognizes and amply sympathizes with one’s buried distress.”
-Alain de Botton

“Remember, Grammar Nazis: It’s YOU’RE going to die alone.”
-Damien Fahey

"What are you doing?"
"Watching the new Rob Zombie movie. You a Rob Zombie fan?"
"I prefer his earlier, funnier movies."
-The West Wing

“What is the good of being an island, if you are not a volcanic island?”
-Wyndham Lewis

“If the school curriculum was shaped by contribution to future happiness, at least half would be on relationships.”
-Alain de Botton

“Ignorance is like sleep, your initial reaction is to be angry at the person who wakes you up.”
-Todd Marrone

"They police us. Spy on us. Tell us it makes us safer."
"Then do something about it, Mulder."
-The X-Files

Parenting is like being a juggler except all the balls are screaming.
-@KalvinMacleod

"What are you doing?"
"I'm making a joke."
"Oh, you don't have to do that. Relaxing makes me nervous, makes me feel like I'm missing something."
-The West Wing

 “[Millennials] want to wander the world, both in real life and in digital ways. They want to feel untethered. There is a trend among young adults of delaying the pressures of adult life as long as possible; they want to embrace a lifestyle of risk, exploration and unscripted moments...The generation has come to appreciate and take identity from a spiritual version of life on the road. In other words, it is a generation that is spiritually homeless.
Barna Research Group

“The quality of any creative endeavor tends to approach the level of taste of whoever is in charge.”
-John Gruber

“The visionaries aren’t always the ones who have the ideas, they are the ones who can clearly communicate their ideas to others.”
-Simon Sinek

“I don’t believe he was in love with anybody, I think that it was however a sex-tumult of sorts.”
-Wyndham Lewis, Tarr

When we hold each other, in the darkness, it doesn't make the darkness go away. The bad things are still out there. The nightmares are still walking. When we hold each other, we feel-- not safe, but better. "It's all right," we whisper. "I'm here. I love you." And we lie, "I'll never leave you." For just a moment or two the darkness doesn't seem so bad. When we hold each other.
-Neil Gaiman, Midnight Days

“The number one thing to steal from your competitors: Wisdom.”
-Seth Godin

“That was an important rule of any game: always make it easy for people to give you money.”

“Steal five dollars and you're a common thief. Steal thousands and you're either the government or a hero.”

“Speak softly and employ a huge man with a crowbar.”

“What kind of man would put a known criminal in charge of a major branch of government? Apart from, say, the average voter.”

“You might as well eat a dog-turd burger and wash it down with a jumbo cup of septic tank.”

“They say that the prospect of being hanged in the morning concentrates a man's mind wonderfully; unfortunately, what the mind inevitably concentrates on is that, in the morning, it will be in a body that is going to be hanged.”
-Terry Pratchett, Going Postal

“Life is too fleet for onomatopoeia.”
-Mervyn Peake, Titus Groan

“The purpose of CNN's BREAKING NEWS posture (caps intentional) isn't to create a better-informed citizenry. It's to make money.

“The reason that tech sites, stock sites, scandal rags and others attract attention is because it's fun. It's emotionally engaging to be involved in a story when we don't know how it's going to turn out. When the story is unfolding, when it's breaking, we become emotionally connected to it.
“The news we consume changes us. Not just the news manufactured by CNN, but the news manufactured by our boss, our investors, our customers.
“Our choice, then, is to decide whether we want to engage in the hobby of living through other people's breaking news instead of focusing on what's actually important.”
-Seth Godin

Boss, at start of weekend meeting: "I know you would rather be at home right now, binge-watching media content-"
Employee: "Hey, I just started season two of Media Content. No spoilers!"
-Brooklyn Nine-Nine

“And how shall I think of you?" He considered a moment and then laughed. "Think of me with my nose in a book!”

“Can a magician kill a man by magic?” Lord Wellington asked Strange. Strange frowned. He seemed to dislike the question. “I suppose a magician might,” he admitted, “but a gentleman never would.”

 "[A gentleman] picks up a book and begins to read ... but he is not attending to what he reads and he has got to Page 22 before he discovers it is a novel – the sort of work which above all others he most despises – and he puts it down in disgust."

 "It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week."

“Dear God!” cried Fitzroy Somerset, “What language is that?”
“I believe it is one of the dialects of Hell,” said Strange.
“Is it indeed?” said Somerset. “Well, that is remarkable.”

“Such nonsense!" declared Dr Greysteel. "Whoever heard of cats doing anything useful!"
 "Except for staring at one in a supercilious manner," said Strange. "That has a sort of moral usefulness, I suppose, in making one feel uncomfortable and encouraging sober reflection upon one's imperfections.”

“He understood for the first time that the world is not dumb at all, but merely waiting for someone to speak to it in a language it understands.”
-Susanna Clarke, Jonathan Strange and Mr. Norrell

“A friendship founded on business is better than a business founded on friendship.”
-John D. Rockefeller

“If you watch the wolf too hard, a mouse will bite you on the ankle”

“Two days' hunger made a fine sauce for anything.”

“The leaf lives its appointed time, and does not struggle against the wind that carries it away. The leaf does no harm, and finally falls to nourish new leaves. So it should be with all men and women.”

“Violence harms the one who does it as much as the one who receives it. You could cut down a tree with an axe. The axe does violence to the tree, and escapes unharmed. Is that how you see it? Wood is soft compared to steel, but the sharp steel is dulled as it chops, and the sap of the tree will rust and pit it. The mighty axe does violence to the helpless tree, and is harmed by it. So it is with men, though the harm is in the spirit.”
― Robert Jordan, The Eye of the World

“The need to be liked by people you don’t know – or like – should be treated as an illness like any other.”
-Alain de Botton
"I fear parties. I never know quite where to stand."
-Zero Theorem

“Revenge is sour.”
-George Orwell

“It’s my annivorcary. Anniversary of my divorce.”
-The West Wing

“Be warned, that if you wish, as I do, to build a society in which individuals cooperate generously and unselfishly toward a common good, you can expect little help from biological nature.”

-Richard Dawkins, The Selfish Gene

“Woke up screaming on the wrong side of the Zen.”
-Strapping Young Lad

“Stop raising awareness for things. We’re still not doing anything about the stuff we are aware of.”
-Gary Janetti


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Tuesday, February 16, 2016

Literateur: All the Andy Deane

I've reviewed an author's entire bibliography before. (PROOF!) But this is the first time it's an author I personally know.

This means you have every right to to distrust my objectivity.

Well, allow me to defend my objectivity credentials. I brutally trashed this author's first book on Amazon when it first came out. (I've since retracted the review because it was unnecessarily harsh and it was mostly just me lashing out because I was frustrated with my personal and creative life at the time.)

Here's the kind of guy this author is: he responded to my reckless projectile pooping all over his first literary effort...by inviting me over to watch a horror film with him.
The Deane of Andy is a gentleman and a scholar and a musician and an author. He's best known as Bella Morte's singer/songwriter, but his new project, The Rain Within, is also superb. It sounds like the soundtrack to a love scene in an 80's action movie, and I mean that in the best way. If you like dark synthy pop or the Drive soundtrack or Public Image Ltd.'s "The Order of Death," this music is for you. Heck, he's a decent photographer, too- mostly of graveyards.

(He kind of embodies what I like about my town- briefly chat with anyone you pass on the street and they'll tell you about their painting, music they make on the side, book about living with HIV, custom rockware, photography business, movies they make on the side, chainmail jewelry store, radio station they jump-started, best-selling book, photography-innovation inventiongaming card art, or music studio. The creative energy is high around here.)

He wrote four books and got them all published. This joker contacted his first publisher via MySpace and got a publishing deal out of it. Good trick.

He told me about his new book in the works, which I'm stoked about. I can't publicly discuss it, but it's gross and funny. And if he continues the upward trajectory his work has followed so far, it should be an outstanding work of horror.
The Sticks 

Deane came out swinging with a Southern­-fried werewolf tale. It feels like an early Joe R. Lansdale story set in Virginia and this debut novel has its pros and cons.

Pros: the main character is well­-developed and likable. This is a huge plus, as most horror movies and novels suffer from UCS (Unlikeable Character Syndrome). Also, the setting is very well-established. The surreal street that the main character lives on with all his colorful neighbors­ has verisimilitude and other fancy words. The violence is vivid and well-written. Example: the werewolf rips into a dude's back, grabs his spine, and lifts him like a sixpack. Ouch. Haven't heard that one before. Deane has an eye for detail and he knows where the cool parts are.

Cons: some of the plot twists are forced. The inciting incident is when the main character gets ejected from a party and kicked out into the cold in an interaction that makes very little sense. It made the character feel too much like a piece being pushed onto a chessboard. The identity of the werewolf isn't milked for any mystery, either. It's just kind of abruptly revealed without any suspense. Also- like Joe R. Lansdale- this book is jam­-packed with similes. Too jam­-packed. The wise-ass descriptions are colorful and sometimes funny, but they interfere with the narrative flow.

All in all, it's okay for a first book. It could have been great with another pass on the revision.
The Third House

This is a shorter effort and short = sweet here.

This one's a (presumably autobiographical) tale of a band on tour taking a wrong turn and getting terrorized by a family with very special teeth.

This quick riff on Texas Chainsaw Massacre works well enough. Some of the prose problems from The Sticks are also present here, but Deane writes believably and vividly.

Good luck finding it, though. Far as I can tell, there are 52 copies of this thing in existence. You can buy one here for $59.
All the Darkness in the World 

This is a higher-quality piece of work. It captures the high school vibe well and does a good job yanking its main protagonist out of his normal life and into non-stop supernatural menace. The vampire is nasty and mean and not Twilight­-y at all.

Deane does a good job painting his main character into a corner and his gift for writing likable characters and believable settings is on full display here. The main problem-­ again-­ is the torrent of similes. They stop the story cold almost every time. (Though yes­, many of them are funny.)
Learn to Study the Bible

This was a surprising departure from his previous horror novels. As bible study books go, it's okay. But I was just kind of surprised at the lack of spookiness.

I made it all the way to the end and I kept waiting for a twist ending or some big reveal- at least one ghoul or ghost or something. But nope- it's just a bible study book.

Just kidding, this is by some random other guy who happens to share the name Andy Deane.
No Turning Back 

This is where he really hits his stride. This is a siege story with our cabin-in-the-woods folks getting menaced by a tribe of werewolves. Something really unique here is that the werewolves sexually assault the males in the group. Deane takes the unfortunate misogynistic horror trope of rape-menace and inverts it, making the men the targets.

And it took four books, but Deane finally got his similes under control. I'm gonna take credit for that and say that he read my mean review of The Sticks on Amazon in 2009 and that made him decide to ease up on the figurative language. (Though in reality, he was probably just trying a different writing style.)

The end result:­ a great horror story with a lot of momentum. This is a consistently tense thriller, like a Jack Ketchum book with werewolves.

If I were you, I'd read this one first and check out his older books if you dig it.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Thursday, February 11, 2016

Comical Books: "The Horror! The Horror!"

I read a lot of comics. Or graphic novels. Or picture books. Whatever you want to call them.

I don't review many of them because I mostly just like to enjoy them and move along.

Every now and then I hit one that merits a share.

This is the lengthily-titled The Horror! The Horror! Comic Books the Government Didn't Want You To Read.
It's the story of early 50's and 60's crime, horror, and sf comics and how overprotective parents tried to get them banned.

I don't have a lot of critical things to say about this one, I just wanted to say "Look at this! And this!" This thing has a lot of great images and covers that will surprise, shock, and/or delight you.

Here we go!

Covers first. Here are some of the best covers on display.

This one has a very Return of the Living Dead feel. (Also that title: Weird Tales of the Future? What's futuristic about this picture??)
This one's some nice gourmet cheese. (Wonder if it was the inspiration for Lucio Fulci's The Beyond...)
Pretty colors!
Nice angle. (Also I didn't know that the Grim Reaper brewed shrunken skulls.)
These two covers are interesting because they're both Mysterious Adventures issues, they look similar, and both give away the entire story and ending right there on the cover. (Also the story and ending appear to be the same!)
And sometimes you get some really fierce gore on the covers. Check the green shading on that clapper!
And this one's hardcore even by modern standards.
Sometimes they went too far and had to be censored, like this EC cover that showed a dripping severed neck and had to be cropped to comply with the newly-instituted comics code.
Now some choice panels.

This is one from the Tales from the Crypt offshoot, The Haunt of Fear, that pushed parents too far and made them institute the code, I was stoked to find it because I first read a description of this in Stephen King's Danse Macabre as a kid!
And here's a few gruesome goodies from the 50's and 60's to help you see the overprotective parents' POV on this issue!


And this is just delightful.
So check this book out for the story behind all these images.

It has a few short comic stories and covers, but it's mostly text. There are plenty of omnibus collections of old-school horror/sf comics out there if you want to read the actual comics.

EC dominated the market and they're what most people think of when they think of comics from this era. And they're all great: Tales from the Crypt, Haunt of Fear, Vault of Horror, Shock SuspenStories, Crime SuspenStories, Weird Science, Weird Fantasy, and Two-Fisted Tales.

But Warren Publishers' Creepy and Eerie have much better artwork and writing, though they're in black & white.

If you want to read a nice collection of non-EC, non-Warren horror comics from this era, I cannot recommend Four Color Fear high enough.

Enjoy, boys and ghouls!


-Phony McFakename

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