Thursday, September 14, 2017

Cinemasterworks: Hangin' with "It"

It is the book that got me into Stephen King when I was 11. I was in awe of It. The characters were so unbelievably vivid, they felt more real than my real-life friends. (Bonus: they were all my age when I read the book.)  

It terrified and confused me and, like so much of King's work, felt like it was giving me an unflinching, unfiltered glimpse into how adults think and live. In a world of half-truths and deception, King's fiction always told me the truth about humanity.

But my access point for that book was the 1990 It TV miniseries. I recorded it (on my Betamax VCR!) and watched it over and over and over again.

The It miniseries was a pop-culture juggernaut, too. 30 million people watched it. (The novel was the best-selling book of 1986, too.)

Quick plot summary, in case you don't know It. (Me? I'm sexy and I know It.) An inhuman force lives in the sewers of small-town Derry, Maine and has a feeding cycle every 27 years. The "it" of the title mostly manifests as a malignant clown, but it can appear as whatever scares you most. It feeds on children and the fear it instills in them adds flavor. As the story goes along, we learn how truly cosmic and epic this force is, along with how it has haunted the town of Derry for centuries. Seven kids stand tall, take It on, then come back to confront It once and for all as adults. 

It's not an unpopular work. It needs no defense. I was gonna write a lengthy, wistful reminiscence about my experience re-reading It over the past couple months now that I happen to be the age of its adult characters, compared to reading It for the first time when I was the age of its childhood characters. But this article already says almost word-for-word what I was gonna say. So, never mind.

Instead, let's jump right to the new movie...
It's good!

In no particular order (SOME SPOILERS FOLLOW!):

I have no problem with the new movie playing fast-and-loose with the book. This adaptation is as close to the novel as Stanley Kubrick's The Shining was to that King novel. And that's fine. Movies are movies. Books are books. If I want the book, I can read that.

Funny thing: the movie feels like an R-rated Stranger Things, even though Stranger Things was basically a PG-13 Stephen King pastiche.

I was charmed that they re-set the childhood scenes to 1989 and got all the period details pretty dead-on (Another bonus: I was about the same age as these kids in that year.)

This movie is FREAKING TERRIFYING! Saw it with three pretty jaded horror-loving friends and we were all screaming and jumping along with the rest of the enthusiastic crowd. There are some soul-wreckingly great spooky images in here.

Couple cute throwaway references to the reality-spawning Turtle, but I get why that was too wack a concept to really address in the movie.

The 1990 miniseries is not a masterpiece, but I love it for sentimental reasons and the kids and clown in there will always be my kids and clown. But the new Pennywise gives the role a run for its money. He destroys in every scene he's in. Now, I still feel Tim Curry did a better job appearing initially benign and then going psycho-maniacal-clown. This new Pennywise looks terrifying right from the start, there's no alluringly safe fun-clown baseline. To the movie's credit, they ramp it up and make Pennywise look really REALLY inhumanly scary to pump up the fear factor, especially during the neat slideshow scene.

And the kids are all lovable and fun. Great performances, lots of good offhand humor and trenchant emotional moments. Mike Hanlon is short-changed, and as a librarian, I felt slighted there. In the book, he's passionate about the evil town's evil history and researches and catalogs it and grows up to be a librarian. In the movie, they made the new kid, Ben, the history buff instead and just made Mike a sort of farmer-warrior. Meh. MIKE HANLON IS MY LIBRARIAN! DON'T MESS WITH MY LIBRARIAN!

A kid dies right off the bat and it's ugly and drawn-out. I'm guessing they went so hard with that scene because the same scene in the 1990 version copped-out and faded to black.

Speaking of cop-outs, that ending...I am not upset that they throttled the underage sewer gang-bang, nor did I feel shortchanged by (almost) no giant spider action and zero Ritual of Chud. BUT...the floating kids...Uh...

The famous tagline for the film/book delivered tauntingly by Pennywise to his victims is, "Come with me! You'll float!" Now in the book, the floating is abstract. It devours the children's souls and their spiritual forms proceed to kind of float in a nether-dimension. It's disturbing and scary. In this movie...they walk into Pennywise's lair and there are kids up in the air...floating. The kids are still alive. Which means Pennywise is just taking the kids down below and making them magically float, rather than devouring them.

Now, I get that depicting/implying hundreds of child murders is a pretty tough thing to pull off in a corporately-funded motion picture, but that's what Pennywise does. It is an incredibly, mind-bogglingly evil monster. But at the end of the movie, our heroes save the bulk of those "floating" kids.

I dunno. The image of the kids floating in Pennywise's lair is kind of cool, but that was the only change that really took me out of the narrative. It weakened the impact substantially, but I imagine if you hadn't read the book, it wouldn't bother you as much.

On that note, the kids in the movie defeat the monster because they're together and not afraid. They bypassed the book's notion that they won because they believed in magic. Fair enough, but that hamstrings the adult narrative to come, because the biggest challenge the adults face in fighting Pennywise is that they don't believe in magic anymore.

I suspect they'll retcon it with a throwaway line in the sequel like, "Oh! We REALLY beat Pennywise as kids because we all believed in magic!" Nah. Not fooling me. That's a thematic ball-drop.

(SPOILERS END HERE!)

A neat feature King built into his book It that makes it sublimely re-readable (I revisit It about once a decade and it feels fresh every time) is that it begins with the adult characters not remembering any of their nightmarish childhood experiences. So along the way, you're re-remembering everything as the adults re-remember it. A great device for drawing you in, as it builds mounting terror and resonance along the way.

The new movie doesn't quite have the same repeat value. It's very effective with the jump scares and soul-shatteringly freakish imagery. I've seen hundreds (probably thousands) of horror movies, and this one had some scenes and ideas that I have not encountered before. Very well-executed with the relentless terror bits.

So it'll shake up the audience, all well and good, but that doesn't usually work on multiple viewings. It is probably a hot movie for the moment, but not a lasting classic. Time will tell.

Overall, the movie deserves its massive accolades (Stephen King himself liked It and saw the film twice), as well as historic financial success. Worth seeing in a theater, preferably a crowded one full of people being scared out of their pants.

Good for It. I look forward to the sequel. 


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Tuesday, September 5, 2017

Writing Journal: Original Opening for "Wahoo"


My new book, Wahoo, was originally a gory monster mash about Thomas Jefferson-descended Lovecraftian fish monsters and the main character fighting them over a long night with help from a homeless cultist who knows the ritual to stop them.
You know, things like this.

It didn't work. So I took out the monsters and made it a slice-of-life college story instead.

When I tell people about my original horror-tastic idea for the book (one I've been turning over in my head since 2012), with its themes of race relations, mysterious fires, mayhem & riots in Charlottesville, and analysis on cultural worship of historical figures despite their moral ambiguity, everyone tells me, "Man! That would've been really relevant to our current social issues! You should have written that!"

Yeah...Thanks.

(Again: I wrote Wahoo and sent it in to my publisher MONTHS before Charlottesville was in the headlines for terrible reasons.)

Anyhoo, just for fun,  here's the original opening chapter, which culminates in the monster outbreak.

The final published version is pretty similar, just with the ominous occult touches deleted, plus the police (rather than the monsters) attack the crowd at the end. Take from that what you may. (If you've already read it, I highlighted in bold the different/new parts.)

Also, this is the pre-formatted, pre-copy-edited version with all errors fixed by Amanda Glass and Jean Cooper left un-fixed. Behold my first-draft sloppiness, ye mighty, and despair!


Wahoo

Prologue: Midsummers

Something was fishy.
Kara winced at the smell of the drink she’d been handed by some random guy.
This frat didn’t have a reputation for roofies, but there was definitely some alcohol in this allegedly non-alcoholic fruit punch.
And she had no interest in that.
She left her red Solo cup on a crooked, cracked end table next to a tattered couch in the main entryway area and looked around.
Jam-packed rooms and hallways with bodies in motion, bouncing up and down and around and grinding against each other. And women were twerking. Kara didn’t know that was still a thing. They seemed to be having a competition to see who could have the shortest skirt. They all seemed more beautiful and skinnier and better-dressed than her.
The lights were flashing in a hypnotic blur, strobing erratically in the adjacent ballroom. The hallway was blacklit, giving everyone’s face an unnerving aquatic blue hue with sparkling white teeth in their big dumb smiles.
Decorations were wall-to-wall. In addition to the rainbow of scattered balloons and streamers, seasonal lights hung from the ceiling in every room. And some joker had hung up those singing fish toys at intervals up and down the main hallway, each one singing a different classic rock tune. “Born on the Bayou,” “That Smell,” “Surfin’ U.S.A.,” etc.
The fish songs were barely audible under the assault from the house stereo system. The music was numbingly loud, a dubstep-flavored dance remix of an eighties pop song, the one about everybody wanting to rule the world.
Sensory overload.
Kara’d never thought of herself as an introvert, but nothing made her want to be alone more than the atmosphere at this Midsummers party.
Her previous experience with parties had been limited to getting together with a few friends and yakking over ice cream and maybe watching a movie. Sometimes they would blow out candles on a cake if they were feeling really wild.
She felt like a fool for even coming out for this event. Her parents had warned her against frat parties. She didn’t drink. She didn’t party. How did she even let Christie talk her into this?
Come out to the party, she said. It’ll be fun, she said. 
Ugh.
And where was Christie, anyway?
She scanned the crowd of strangers. Whole lot of folks taking selfies and posting them, if they weren’t dancing. Kara was trying to go social media-free for her Charlottesville visit. But it wasn’t like she was having an amazing time that she wanted to share publicly, anyway.
After looking in every direction, Kara realized that the guy who’d handed her the drink was still next to her, and it looked like he was talking in her direction. She couldn’t hear a word this guy was saying and if he was the type who would hand her a spiked beverage, she wasn’t interested in listening close enough to hear.
So she leaned in close to him. He stopped talking, taken aback by her sudden close proximity. He looked like he was expecting a kiss.
And she said, “No.”
That summed it up nicely. Not interested in anything he had to say in response,  she walked down the psychedelic party hallway and made her way outside.
Before she left, she noticed an odd photo of Jefferson above the main fireplace. She’d seen the Founding Father prominently featured in statues and artwork all around grounds (grounds, not campus, she’d learned). But something about this photo weirded her out. His features looked a bit too sharp, his eyes somewhat predatory. His teeth looked wrong.
Not to mention the “7” and “Z” on the wall on either side of the painting. They were crudely smeared on the wall with dark red paint. She remembered Christie telling her that those symbols had a local meaning - it was hard to remember because Christie blasted a firehouse of information her way during orientation - but something about it really creeped her out.
There were bowls full of a variety of snack foods on the table there. Sea salt-covered pretzels, Goldfish, crab chips. She felt faint and hungry, but estimated that a handful of any of those would be a hundred calories. Not worth it. She’s already eaten her full daily allotment of fifteen-hundred calories and there was no reason to go over her limit when it was so late and there was no way she’d be able to work that off.
Plus, they were public serving bowls and probably crawling with a million strands of bacteria.
She pushed past a couple of folks who were dancing like no one was watching and made her way out the front door. She always sneered at anyone who danced in public because she could never bring herself to loosen up and do so herself.
What if someone filmed you? Everyone has a device in their pocket that they can use to capture you and stick you on the Internet forever. If you make a fool of yourself, that foolishness will follow you for the rest of your life and echo into the eternities.
When she finally made it out of that claustrophobic, overwhelming pinball machine of a house, she found that it wasn’t much quieter outside.
An ocean of partiers greeted her, filling up the enormous Mad Bowl and the streets on either side of it. The police had given up on crowd control. The people ruled the streets on this Midsummer. Trying to make public drunkenness arrests would be a truly Sisyphean task.
Christie had told her this crowd was unprecendented. Nothing like it since the glory days of the Easters celebrations, which ended in 1982 when The Man decided they weren’t good for the community. Kara couldn’t imagine why that would be.
People, people, everywhere, yet not a brain to think.
It looked like one huge organism at work, every human a semi-functioning cell in a giant giddy blob.
Even in the middle of this endless crowd, she felt painfully alone. Her RA-turned-friend, Christie, left her in the middle of a frat party, probably to pursue a hookup. And everyone in her UVA student summer orientation group had already gone home earlier that day. Bill, Bri, and...everyone else. She’d talked to a whole lot of people, but everyone except for Bill and Bri morphed into a faceless blur. Casualty of meeting five hundred people all at once.
She was stuck in town thanks to her brother ending up in the hospital and her parents not being able to get away and pick her up earlier that afternoon.
And this just happened to strand her in Charlottesville on the biggest party night of the year - Midsummers.
Kara’d never heard of this event before orientation, but apparently it was a huge deal where students from the past and present all descended onto grounds and had a huge blowout. Christie explained that it wasn’t really a themed event like Mardi Gras, more just a celebration of friendship and a reunion of classmates. Classes ended in early May and started in late August, so this mid-July event was a great excuse for everyone to leave their summer jobs or internships or unemployment at their parents’ place back home to come down and have a huge party with each other. Alumni from a few years back often came down to partake, but there was a common-courtesy cutoff of three years post-graduation. Any older than that and they risked Matthew-McConoughay-in-Dazed-and-Confused Syndrome.
And here Kara was, stuck in the middle of it.
Yay.
Woo.
She doubted she’d be returning to town for this event next year.
She had the key Christie gave her for her apartment off Main Street where she could crash for the night. It was just a bit far to walk - especially on such a chaotic night - so Kara made her way down to University Avenue. Which was a ridiculous road. Two blocks east, it became Ivy Road. Two blocks west, it became Main Street. And then it dead-ended at the Downtown Mall, where Christie told her it used to carve a path right between the storefronts there. Strange road naming, strange road layout.
And then as she made her way into the crowd of thousands, she ran into someone familiar, walking up the front steps with his head down, on his way up to the Sigma Phi frat.
“Bill?”
Bill looked up, startled. But then he smiled. “Kara! Great to see you again! What are you still doing here?”
“Oh, my idiot brother fell out of a tree. My parents are stuck with him at the hospital, so I’m crashing with a friend for the night.”
“Oh, cool. Cool.”
“I thought you were going home, too. I remember you saying something about not wanting to go out again after what happened last night?”
“Yeah, yeah. Totally. This is...well…”
Kara laughed at his fumbling.
“I was peer pressured!” shouted Bill. “I can’t be blamed for my actions!”
“Sure, sure,” she said.
“Hey, I haven’t had anything to drink, at least. I’m thinking I might visit Phi Delt. I hear they’re dry. And they have the better rep.”
“And before we ran into each other, you were walking into Sigma Phi because…?”
He did that adorable thing where he looked to the side, half-smiled, and shrugged. Kara just shook her head. “Don’t cut your fun short on my behalf.”
“I won’t! I just...I don’t know what I’m doing.”
“How does a dry house party on a night like this, anyway? It’s like Mardi Gras times a hundred out here.”
“Yeah, I’m actually curious to find out.”
“You’ve lived here all your life and you’ve never come out for this?”
“Never had the guts. Always wondered what I was missing, though.”
“Alright, do what you gotta do. I’m not your mom. Goodnight, Bill.”
“Uh...okay. Goodnight, Kara.”
Kara squeezed her way through the crowd in the common area between the three frats facing each other and made it out to the sidewalk. There was a bit more room out there, but not much.
She didn’t look back at Bill. She liked the guy, he was nice enough, but she already had an “are-we-or-aren’t-we?” boyfriend back home and didn’t want to get involved with a guy who was just looking to get lost in the chaos of college life. She had more than enough drama in her own mind and life.
So she moved right along through the madding crowd. The relentless debauchery on all sides of her was completely alien. She’d heard that the UVA school mascot was the Wahoo, a fish renowned for drinking twice its own weight. She wasn’t sure how that worked. But the student body seemed to embrace it as they guzzled or chugged or  nervously sipped their various beverages in various colored bottles and cups of all shapes and sizes.
At the same time, she didn’t want to ignorantly dismiss everyone. They were having fun. This was what they wanted to do. They were celebrating their independence and this was a special night to them. One of her favorite writers, Oscar Wilde, once said something to the effect of, “Don’t make fun of society - it makes you sound jealous that they won’t let you in.”
She saw one of her fellow Wahoos puke all over a bush in front of the Fralin Museum as that thought floated through her mind.
Not gonna judge, not gonna judge....
The smell was pretty rank, though.
Seeing the lovely pillars and sculptures displayed in front of the university’s prestigious art museum in the background with a vomit-decorated bush in the foreground was...profound.
She was was vigilant about her weight - compulsively counting calories - but she figured all she had to do was retain this mental image whenever an unhealthy appetite struck her. That’d kill any craving that tried to sink its hooks in her tummy.
She’d heard about the “freshman fifteen,” the curse that only seemed to strike females in the college population. Apparently it was the norm to pack on an extra fifteen pounds during your first year of college. Though UVA should really call it the “first-year fifteen,” since that was the preferred nomenclature. Stress-eating, excessive drinking, lack of structure, too much structure, too many cafeteria buffet meals, too much fast food, too much pizza, too many light night meals with friends. Whatever caused it, it seemed pretty universal. Even to calorie-counters like her.
But with help from the gentleman who just unloaded his stomach contents before her very eyes...she was confident she could keep those fifteen pounds from attaching themselves to her!
She wondered if the Fine Arts Library was open at this time of night. She learned on her tour that it was right behind the museum here. The poor souls who worked there must spend most of their time shooing away the hearty-partiers. Kara wanted to work there, or at any of the University libraries. She’s had a lot of fun visiting them over the past two days.
She saw that University Avenue was open to traffic and not choked with people like Rugby Road. Relief filled her because she needed to get a ride to Christie’s apartment. No way she was walking there. Not through the sea of red Solo cups, crushed and uncrushed cans, soda cans (mostly PBR), broken and unbroken bottles (mostly Stella Artois), and empty tumblers and champagne glasses.
She stepped off the sidewalk to avoid getting run over by the conveyer belt of people flowing in both directions - to and from trouble - and unlocked her phone, using her ridiculously complicated security code.
She tapped the Uber app, then second-guessed. She’d had too many negative experiences there. The last guy who picked her up tried to force her to sit in the front seat. She reached for the rear door handle and found it locked. The guy waved her to the front, but she walked to the other side of the car and tried that rear door. Also locked. She came around to the passenger front door and opened it. “Back doors don’t work, sorry! Have a seat!” he patted the seat next to her. She smiled, got in, climbed over the passenger seat, and got in the back. He looked disappointed. And wouldn’t you know it, the back doors were locked. All Kara had to do to make them work was unlock them. Kara didn’t respond to a single word of the creep’s attempts at conversation for the duration of the trip. She rated him one star.
There was also the guy who tried to make a stop at a coffee shop and invited her to come in with him and hang out for a bit.
That one-two punch was enough nope for her.
She closed the Uber app.
She looked at her home screen and remembered she also had the Lyft app. Or she could wait and take the free trolley down Main Street. She’d heard there was a public transit bus, too. Was that free to prospective students? Too many choices, like always.
She hadn’t thought much about her sorta-boyfriend since she arrived in Charlottesville, but she acutely missed him at that moment. If she was back home, she could call him and he’d come get her in his parents’ car. She’d thought about asking him to come pick her up here, but a four-hour round-trip was a bit much to request from someone who didn’t even want to admit was in a relationship with her on social media.
She never told him about the Uber creeps. She kept unsettling experiences like that to herself. That probably didn’t say great things about their interpersonal comfort level.
But he was nice. He could hold a conversation without compulsively checking his phone. And - as far as she knew - he never vomited on bushes in front of art museums. So he had his merits.
She finally decided to keep it simple and just catch the free trolley that cycled between the Downtown Mall and the University. It was green and gold and liked like an old-timey streetcar that should be attached to cables. And best of all - it was free. It had a stop right in front of the World of Beer on Main Street, which would only leave her a block or so to walk to get to Christie’s. Solid plan.
She swam through the sea of partiers, frazzled by the cacophony of dance and pop songs coming out of the various frat houses and party stations with grills set up all through the jam-packed Mad Bowl. The smell of salmon and fish sizzled on the grills. No steak or burgers or dogs.
That was neat. Kara liked seafood. About two-hundred calories per serving of fish.
Kara liked a lot of what she’d seen during orientation.
She’d probably never be interested in the party scene here - even on a normal non-Midsummers eve - but there was a lot to love.
She’d enjoyed the libraries, the lore, the architecture, the cleanliness, and the people. Biggest highlight: getting a whirlwind tour from Christie on the lesser-known sights and facts that weren’t on the corporate tour had stayed with her.
She hadn’t ventured outside the bubble of the University, but she looked forward to exploring the historical sights around town in the surrounding counties. She’d always wanted to see Monticello and Montpelier and she heard there were some great nature trails through the mountains. A far cry from the pancake-flat Northern Virginia suburb where she’d been born and raised.
It was all fresh and different and ready for her to put her mark on it. She could finally get some control of her life here and make her own decisions.
She was happy with her decision to attend UVA, regardless of that evening’s events.
In other good news, no more pukers interrupted her way and no one bothered her as she made her way University Avenue and neared the trolley stop.
The nearby Rotunda was glowing, with a row of lights behind the giant pillars and a pair of spotlights at the base of the white stairs leading up to it. The historic building was so bright and vivid, it looked like a CGI effect.
And then a sound emerged from the distance.
It was faint at first, then grew louder and louder. 
People paused their revels. The party music stopped. Everyone stood still and silent. The only sound was from a few bottles shattering as people dropped them.
Violins.
The sound of violins, coming from somewhere off in the east.
And as the air grew eerily still - fear and confusion on every frozen face around her - she was pretty sure she heard steady chanting underneath the music.
Kara wondered if this was part of Midsummers.
Did everyone pause in the middle of celebrating on the first night? There were so many traditions and rituals at work here, she was having trouble keeping up.
But she was pretty sure this wasn’t normal.
As the mournful violins continued, she recognized the tune.
Her parents had found it on YouTube and played it for her after she got accepted to UVA.
It was the “Cavalier Fight Song.”
And it sounded really disturbing when slowed down and transmitted through violins.
It grew louder and louder and she was able to better pinpoint its source. It was coming from on high.
From Monticello?
Then she heard another noise, this one much closer.
The free trolley.
It was still moving, even as everyone else stood still.
It came barreling down McCormick Road, and then hopped the curb and plowed through stupefied pedestrians and the poor folks who were waiting at the bus stop. It kept going and then skewed right, ramping up the grass there and slamming into the University chapel that had stood there unmolested for over a century. Smoke rose from the impact but there was no movement coming from the trolley. Anyone in there was dead or trapped. Mercifully, the chapel had been empty.
Kara expected this chaos to wake everyone up, or at least run to the scene of the accident and help. But no dice. Her entranced fellow Wahoos slowly turned to face the mountain with Monticello on top. Glassy-eyed and blank-faced, they began to chant along with the slow, mournful dirge rendition of the “Cavalier Fight Song” that was thick in the air. The violins were drowned out by their chant.
And then the doors of the imposing Rotunda opened up. A group of finely dressed older ladies and gentleman slowly walked out. They stood in a row across the top of the steps and smiled down at the ocean of hypnotized hummers.
And then their faces began to shift.
Kara had been on a prescription acne medication for the past year and she’d heard that the side effects would include hallucinations and even psychosis. But those seemed like distant possibilities, and a small risk to take for a clear complexion. Every drug commercial had a mile-long list of possible side effects, so she just didn’t take the possibility seriously.
But now, she was hoping that all of this was just an unpleasant side effect. She wasn’t in the middle of a chanting crowd. That trolley crash hadn’t just happened. And those people in suits and evening gowns up by the Rotunda were not mutating.
Mutating into...fish?
Their heads were flattening, their hair sloughing off as their skin shifted and grew more silver and scaly. The irises of their wide eyes expanded and their mouths opened to reveal a row of razor-sharp teeth on the top and bottom. These weren’t fish. They looked like the piranha Kara saw once at the Baltimore Aquarium.
And they promptly descended on the people that were standing or sitting on the Rotunda stairs. Biting and devouring. Blood poured down the Rotunda steps.
One of the things crawled up the side of the structure using freshly-transformed webbed hands.
It raised its head and triumphantly hissed, blowing a cloud of mist out of its inhuman mouth.
The people nearest her raised their arms and approached her. Their dead, impersonal eyes indicated no hunger or anger or violence.
They just wanted to capture her.
To hold me so those things can eat me?
She backed away, out into the street.
She looked around to see if anyone else was free from the spell of the song that crowd was still chanting.
She saw nothing that could help. Though in the distance, a few people were moving, weaving their way through the crowd. And their faces were bubbling and shifting, as well. One of them she could just barely make out, it looked like a goldfish head planted on a human body.
She kept closing her eyes and opening them again, hoping it would all go away. Telling herself this was just a hallucination. Just an elaborate freakout thanks to a bad batch of acne medication. Then - Kara had a thought that she was sure no woman had ever had before:
Maybe I shouldn’t have left that frat party.


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 30, 2017

COMMERCIAL INTERRUPTION: "Wahoo" by B.P. Kasik

So I wrote a new book under the pseudonym B.P. Kasik. It's called Wahoo.
Buy it!

Already bought it? Good.

Now read it!

Already read it? Good.

Now let's discuss it.

I used a "pseudonym" on this one because Phony McFakename is a great name for comedy, horror, and weird books. But this one's different. It's "serious." Not to say there isn't humor and fun to be had with it. But Wahoo isn't avant-garde or bizarro in any way. Structurally, it's a drama. (Though this book started as an epic monster-mash story about the main girl fighting Jefferson-descended Lovecraftian fish monsters all through UVA. But the monsters weren't working, so on my editor's advice, I dropped them and just made it about the now no-longer-monster-fighting girl.)

As you know (since you already read it), Wahoo is a short YA novel about a young woman leaving home and visiting college for the first time. She makes some friends, struggles with her eating disorder, and ends up caught in a police raid on a huge outdoor party. It's a quick, fun, emotional read. Very slice-of-life-y.

About that title. It's set at the University of Virginia. Students there call themselves "wahoos." Sometimes these students scream, "Wahoowa!" Scientists are baffled by this phenomenon. But seriously, the "wahoo" is the school's unofficial mascot. (Read all about it.) It's a fish that can drink twice its own weight. I think that means UVA students like to drink alcohol.

There's not a lot of alcohol (or football, a huge UVA pastime) in this here book. Sure, there's a bit of drinking, at the big epic party scene. But the main character is basically an introvert. So don't expect too much sensationalism.

Now about it being set in Charlottesville...I wrote this months before the KKK even rallied here in July. But I was able to go back in and work that event into the plot, as it was relevant to some of the police/race issues that are addressed by my characters. (I'm a local, I was a UVA student, I pay attention to things, so my characters have some thoughts.)

But that alt-right rally that hit our city in August, killing three and maiming dozens more?

We're still processing that. Our whole city has mild PTSD. The torch mob attack was a few feet from where I work. The downtown attack was a mile from where I live. Before that rally, Charlottesville was mostly just known as the top place to live on quality-of-life lists, or mistaken for Charlotte, North Carolina. Just a progressive college town with nice colonial architecture and a fairly standard set of societal issues. But now...

The rally was a huge elephant in the Charlottesville room, and way too big to try to address in my already-completed, about-to-be-published book. Plus, Wahoo is set during the July 2017 Midsummers party, so chronologically...the rally hadn't happened yet in its world

For now, I was able to persuade my publisher to insert an Author's Note at the start saying that the alt-right rally is relevant to some issues in Wahoo, but I do not (can not) address it.

Will I address it in a sequel? Time (and sales figures) will tell. Goodness knows my characters have some thoughts about it.

Hope you enjoyed Wahoo. Or if you're reading this and haven't read Wahoo yet...shame! But I forgive you. Go read it.


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 23, 2017

Literateur: Cool Books, August 2017

Got a new book coming out in a week, putting some finishing touches on it. Also just finished another one. And halfway through the one after that. And still need to do a final revision on the two others I've already finished and run past proofreaders.

What I'm getting at here is my writing energy is depleted. But I still want to share some books I've read and liked lately over the past few months. This is all positive. I'm probably done dissing books, unless I can do so in a very amusing or helpful fashion: 

To Be a Machine         Mark O'Connell
Haunted Castles          Ray Russell
Fudge Hampants: Mystery Shopper   Phony McFakename
Nightmare at 20,000 Feet       Richard Matheson
It         Stephen King
The Case Against Satan          Ray Russell
Star Shine        Fredric Brown
A RH+            H.R. Giger
The Haunted Forest Tour        Jeff Strand, James A. Moore
Hammer Wives           Carlton Mellick III
Nothing Left to Lose  Dan Wells
Voyage to the Moon   George Tucker 
Four Past Midnight     Stephen King 
Smoke and Mirrors     Neil Gaiman 
High Cotton    Joe R. Lansdale
Hot Water       P.G. Wodehouse
Destroy All Movies!: A Punk Encyclopedia    Various Authors
Suspiria de Profundis    Thomas De Quincey
The House with a Clock in its Walls     John Bellairs
Pigs Have Wings         P.G. Wodehouse
The Speed and the Fury          Phony McFakename
Tumor Fruit     Carlton Mellick III
Wahoo    B.P. Kasik
Such Stuff as Screams Are Made Of    Robert Bloch
Gentleman of Leisure    P.G. Wodehouse
The Howling Man       Charles Beaumont
Misery    Stephen King
Eric Roberts 2: Acoustic Boogaloo    Phony McFakename
Spider Bunny    Carlton Mellick III
Indiscretions of Archie           P.G. Wodehouse 


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 16, 2017

Favorite Quotes, August 2017


“Politics always change. Stories never do.”

“Maybe there aren't any such things as good friends or bad friends - maybe there are just friends, people who stand by you when you're hurt and who help you feel not so lonely. Maybe they're always worth being scared for, and hoping for, and living for. Maybe worth dying for too, if that's what has to be. No good friends. No bad friends. Only people you want, need to be with; people who build their houses in your heart.”

“We lie best when we lie to ourselves.”

“You pay for what you get, you own what you pay for... and sooner or later whatever you own comes back home to you.”

“Adults are the real monsters.”
-Stephen King, It

“As soon as you finish a film, people want you to talk about it...and it’s, um...the film IS the talking.”
-David Lynch

“On your way to oblivion...always take the scenic route.”
-Carlton Mellick III, Satan Burger

“It seemed to me that transhumanism was an expression of the profound human longing to transcend the confusion and desire and impotence and sickness of the body, cowering in the darkening shadow of its own decay. This longing had historically been the domain of religion, and was now the increasingly fertile terrain of technology.”

“This is one of the problems with reality: the extent to which it resembles bad fiction.”

“The odds seemed pretty long from where I was standing, certainly, but then again, I reminded myself, the history of science was in many ways an almanac of highly unlikely victories.”

“These robots are literally inhuman, and yet I react no differently to their stumblings and topplings than I would to the pratfalls of a fellow human. I don’t imagine I would laugh at the spectacle of a toaster falling out of an SUV, or a semiautomatic rifle pitching over sideways from an upright position, but there is something about these machines, their human form, with which it is possible to identify sufficiently to make their falling deeply, horribly funny.”

“Humans, after all, weren’t actively hostile toward most of the species we’d made extinct over the millennia of our ascendance; they simply weren’t part of our design. The same could turn out to be true of superintelligent machines, which would stand in a similar kind of relationship to us as we ourselves did to the animals we bred for food, or the ones who fared little better for all that they had no direct dealings with us at all.”

“This was what we did as a species, after all: we built ingenious devices, and we destroyed things.”
-Mark O’Connell, To Be a Machine

“Legend has it that when a puzzled student told him he had read ‘Absalom! Absalom!’ three times and still didn’t understand it, Faulkner told him, ‘Read it a fourth time.’”

“In the first ten years of the Alderman regime [circa 1915], only 1,145 of the 2,241 first-year men returned for the second year.”
-Virginius Dabney, Mr. Jefferson’s University

“I guess I'm just an old mad scientist at bottom. Give me an underground laboratory, half a dozen atom-smashers, and a beautiful girl in a diaphanous veil waiting to be turned into a chimpanzee, and I care not who writes the nation's laws.”

“The fact is that all of us have only one personality, and we wring it out like a dishtowel. You are what you are.”

“He bit his lip in a manner which immediately awakened my maternal sympathy, and I helped him bite it.”

“Love is not the dying moan of a distant violin ..it's the triumphant twang of a bedspring”

“Do you know anything at all that nobody else knows or, for that matter, gives a damn about? If you do, then sit tight, because one of these days you're going to Hollywood as a technical supervisor on a million dollar movie.”

“Learning is what most adults will do for a living in the 21st century.”

“I'd horsewhip you if I had a horse.”

“The main obligation is to amuse yourself.”
-S.J. Perelman

“If a man can be corrupted by a few books, I doubt if there was anything there to begin with.”
-Ray Russell, The Case Against Satan

“Rome wasn’t built in A.D.”

“Your talk," I said, "is surely the handiwork of wisdom because not one word of it do I understand.”

“Another day gone and no jokes.”

“Hell goes round and round. In shape it is circular, and by nature it is interminable, repetitive, and nearly unbearable.”

“Put a thief among honest men and they will eventually relieve him of his watch.”

“When I want to read anything, however, I usually write it meself.”

“Having considered the matter in, of course, all its aspects, I have decided that there is no excuse for poetry.”

“It cannot too often be pointed out that women are people.”
-Flann O’Brien

“I’m happy. Hope you’re happy, too.”
-David Bowie, “Ashes to Ashes”


-Compiled by Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 9, 2017

Cinemasterworks: Movies I Liked in the Past Few Months

Good news: got an MRI the other day after seeing several specialists about my chronic shoulder pain. So I'm well on my way to regaining full function up there and hopefully having less pain when I write. Been doing better, but I still have pain days. Today is one of those days. So here's my laziest blog yet. Movies I liked over the past few months.

I'm staying positive with this list. Declining to mention movies I hated or walked out on after 5-10 minutes.

Unearthed and Untold: Making of Pet Sematary
Wonder Woman
Nerve
The Blob (1988)
Baby Driver
MST3K: Robot Holocaust
MST3K: Corpse Vanishes
The Other Side of the Door
Rifftrax: Galaxy Invader
Keeping Up with the Joneses
Surf II
Prescription Thugs
Lone Star
Rifftrax: Megaforce
Rifftrax: Death Promise
Rifftrax: Attack from Space
Rifftrax: To Catch a Yeti
Rifftrax: Buffalo Rider
Rifftrax: Alien Outlaw
Rifftrax: Night of the Shorts
Rifftrax: Reefer Madness
Florence Foster Jenkins
Paterson
Hacksaw Ridge
Video Game High School
David Lynch: The Art Life
Captain Fantastic
Memento
XX
Critters
Heavy Metal Parking Lot
Rakka
Netherbeast, Inc.
Son of Rambow
Oh Hello! On Broadway
Con Air
In the Mouth of Madness
Finding Dory
Storks
Big Fan
Rifftrax: Supersonic Man
Rifftrax: ROTOR
Rifftrax: Fever Lake
Rifftrax: Yambao
Rifftrax: I Believe in Santa Claus
Comedians of Comedy
Dig Two Graves
Matewan
Repo Man
Eight Men Out
Rock n Roll High School
Future Shock! The Story of 2000 A.D.
Rifftrax: Ghosthouse
Trolls
Don't Think Twice
Rifftrax: Guy from Harlem
Alien: Covenant
The Girl with All the Gifts
Clown
The Wizard of Lies
Dave Chapelle Netflix 2017 comedy specials
Rifftrax: Plan 9 from Outer Space (Live)
Rofftrax: Abraxas
Rifftrax: Nightmare at Noon
Rifftrax: Swamp of the Ravens
Rifftrax: The Magic Sword
Rifftrax: Wonder Women
Rifftrax: Devil's Hands
Rifftrax: Kingdom of the Spiders
As I Lay Dying
All That Jazz
Parenthood
Michael Ian Black: Noted Expert
Guardians of the Galaxy 2
Rifftrax: Cool as Ice
Shock Waves
Anvil: The Story of Anvil
Manchester by the Sea
Gimme Danger
Spaghetti Man
Rifftrax: Cat Women of the Moon
Norm MacDonald: 2017 Netflix Special
Batman & Bill
Doomed!
Mr. Arkadin
War Games
Rifftrax: No Retreat, No Surrender
Working with Orson Welles
99 Homes
The Fate of the Furious
Adventures of Buckaroo Banzai in the Fifth Dimension
Kong: Skull Island
Rock of Ages
The Final Girls (Jumping up and down with enthusiasm for this one, just brilliant)
Strange Frequency
Conan O'Brien Can't Stop
Louis CK: 2017
Blood Father
Timecrimes
Snowden
Son of Kong
Train to Busan
Rifftrax:Jack the Giant Killer
Samurai Cop 2
Phantasm II
Rifftrax: Zindy the Swamp Boy
Rifftrax: Prisoners of the Lost Universe
Rifftrax: Manos, the Hands of Fate
Rifftrax: Boy in the Plastic Bubble
Rifftrax: Beast of the Yellow Night
Rifftrax: Breaker Breaker
The Ant Bully
Rifftrax: Night of the Living Dead (Live)
Rifftrax: Rudolph the Red-Nosed Reindeer
Rifftrax: Hideous Sun Demon
Rifftrax: Future Force


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 2, 2017

Cinemasterworks: "A Ghost Story" and THE PIE

I don't normally go out for movies in the theater anymore. Name a reason.

-People talking
-People texting
-Can't get a babysitter
-Too expensive
-Poor/unoriginal movie quality

But A Ghost Story grabbed my attention. I love me a quality horror movie and this one got positive buzz all across the Internet (Check out its Tomato score!). It seemed like one of those clever, low-budget sleepers that you hear about later and wish you'd seen on the big screen.

So when I saw it pop up at the local indie cinema, I cheered! I want to support original, independent cinema! Here was my chance!

I knew nothing about it, I just wanted to experience something special. Been too long since I went into a movie cold.

So when the wife took the kids to visit family, I treated myself to a ticket to this flick at the local arthouse theater, where people typically respect the odd and artsy film.

And sure enough, the crowd was cool.

Lights went down and everyone shut up. Not a phone in sight.

The movie starts really slow. Every shot lingers for an uncomfortably long amount of time.

But I got that. It was building atmosphere. And the 70s Kodak-filter look of the thing, combined with its unique, boxy 1.33:1 aspect ratio, was interesting.

And hey look, Oscar-winner Casey Affleck! I didn't know he was in this! Neat.

The relationship dynamic between the two leads is a bit cold and mumble-core-y, but I guess they'll demonstrate more warmth and develop it more later.

I got a little pensive when a shot of the couple laying silently in bed together lasted for what felt like a minute. (Especially after they'd already used the same shot of the same thing for about 30 seconds straight a few minutes earlier in the film.) But I trusted that it was building toward something.

And sure enough, the next scene is a gut-puncher. (SPOILER: Casey Affleck dies. He's the "ghost" of the movie's title.) I accepted its payoff.

So there you go. A main character is dead and wandering around covered in a white sheet with two eye-holes cut out, truly an old-school ghost of the highest order.

That's cool. Haven't seen that trope played seriously before. Some neat shots of him wandering through hallways and through fields.

Okay, the film has made very little narrative progress in the first 20 minutes, but the atmosphere is thick, so I'm cutting it some slack.

Then...THE PIE happens.

A woman walks into a house and leaves THE PIE for the mourning widow. She leaves a note by THE PIE. She walks out of the house. This scene takes a very long time, but I didn't clock it.

Then the silent sheet-covered ghost in the house hangs out and looks at THE PIE. This also takes a long time.

Then the widow walks into the house, derps around, and then notices THE PIE. She takes THE PIE into the kitchen. This takes--SURPRISE!--a long time.

And then THE PIE scene happens.

The widow SLOWLY gets a fork. Then places that fork in the pie. Then brings that forkful of pie to her mouth. She chews it. Swallows it. Pauses.

Then the widow places her fork in the pie AGAIN. Brings that NEW forkful of pie to her mouth. Chews it ONCE MORE. Swallows it YET AGAIN. Takes ANOTHER pause.

You will never guess what happens next.

Here it comes...

SHE TAKES ANOTHER BITE OF PIE!

This continues, silently, for five minutes.

Now you're thinking: C'mon, it was probably one minute at most. You're exaggerating. The movie didn't really waste FIVE MINUTES of its running time showing a widow stress-eating a pie!

Yes. Yes, it did. Five minutes of its 90-minute running time were spent with that widow eating her pie.

Now about 4:30 into that scene, she finally sheds a tear while eating a piece of the pie. That's SOMETHING! But no way is it enough to justify the 1960s Andy Warhol-level of cinematic monotony that was just inflicted upon us.

Even then, like an abuse victim, I tried to cognitive dissonance-myself into believing it was gonna get better and that there was a reason for THE PIE. I actually stayed for the next scene in hopes that it was gonna have a payoff.

Nope. Just another molasses-slow scene with silent people slowly moving from room to room.

Irredeemable.

This is why people don't like art movies. Because they abuse your attention span and troll you with pseudo-intellectual and pseudo-emotional nonsense.

I walked out on the film.

This marks A Ghost Story as the first film I ever paid for and then walked out on. The theater manager, to her credit, gave me a free pass. I told her that her theater was great, but the movie was unwatchable and unforgivable. She mentioned that she planned to see A Ghost Story the next day.

"Hope you like pie," I responded.

I looked it up when I got home and it turns out I wasn't the only one who took note of this scene.

Please add my voice to the anti-THE PIE demographic. There are a thousand cinematic methods for demonstrating grief. Showing a widow stress-eating pie for five silent minutes was the worst one you could possibly choose.

To this movie's credit, I will never forget it. And I'll think about it every time I see pie. The other night, I was reading my kids a book where a toddler magically makes nine pies appear.

I blinked and muttered, "Nine pies...That's 45 minutes of screen time in A Ghost Story."


-Phony McFakename

* * *

I exist on Twitter and Facebook and Instagram. And my books are on Amazon and Barnes & Noble and Kobo and probably some other places, too.