Wednesday, August 26, 2015

Literateur: "The Last Hero" by Terry Pratchett

"The Last Hero" is one of those Discworld books that oft goes unread because it's an oversized illustrated storybook,1 making you assume it's a trifle for the kids.

It. Is. Not.
This is just as hard-hitting and brilliant as any of Pratchett's non-illustrated Discworld novels.

Its main weakness is its size. It's a coffee table book, thus making it Kryptonite for OCD Discworld completists...such as myself. I like having all the books in a series and keeping them in a neat little row on my shelf. This one is jammed right between two normal-sized paperbacks, wreaking havoc on my carefully-organized and perfectly-proportioned collection.2

So, the story. Cohen the Barbarian gets angry and decides to take on the gods. People try to stop him.

The riffs on da Vinci are terrific. And there's a great "Apollo 13" gag with a dragon-fueled rocket.3 As with all good comedy- the jokes are great whether you get the references or not.

It's nice to see Cohen the Barbarian up to his old tricks. And a few new ones. Rincewind is ever-reliable. Carrot is great. If you don't know who these people are, this one probably isn't for you.4

There are plenty of character cameos, and they're perfectly balanced. Some play a minor part and some just drop a pithy line or two.5

Lovely art brings it all to life, and it's particularly exhilarating to see multiple views of the Discworld from space.6 Also cool to get a clear overhead view of Ankh-Morpork, which looks a lot like London.7

The themes are great, as the "heroes" aren't the heroes and we emerge with a better understanding of life, the Discworld, and everything.

It has a genuinely affecting ending, too. Pratchett has a gift for bringing the emotion into sharper focus with the humor.

This is a worthy jewel in the late and lamented Terry Pratchett's Discworld crown.

* * *

1. Like "Where's My Cow?" or the other one he wrote.

2. Terry Pratchett recently passed, but if he were still alive, I'm sure he'd apologize to me profusely for this cruelty he inflicted upon me and my book collection.

3. Is this a riff on the Apollo 13 movie or the actual incident? Reality's lines get blurry in Pratchett's world.

4. Most Discworld books work well as stand-alone, but this one is for the fans.

5. Except from the witches, who I don't much care for so I didn't mind their absence.

6. You get to see people living on the giant rocks over the edge of the disc, with shipwrecks turned into settlements.

7. 38 different types of dragons are catalogued, as well!


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 19, 2015

Comical Books: "Jason Vs. Leatherface"

I was gonna say "I don't know where to start with this one." But that's a lie. I know exactly where to start.

With the comic's cover warning: "Suggested for Demented Readers."
Say no more, squire. Truer words were never spoken.

"Jason Vs. Leatherface" is a rare1 3-issue series published by Topps Comics in the heady year of 1995.

Everything about this is interesting. Topps made their bones with baseball cards starting in the 40's. And then during the Great Comic Book Boom of the early 90's, they got into the comic book game. They published some wild stuff,2 but this is as wild as they get.

Both the "Texas Chainsaw Massacre" and "Friday the 13th" franchises were in limbo at the time. The official story was that "Jason Goes to Hell" was the end of Mr. Hockey Mask in 1993. And there was a fourth "Chainsaw" film completed at the time- starring Matthew McConaughay and Renee Zellweger- but it was in limbo until 1996.3

Okay, here we go. In no particular order, let me dissect this one for you:

-The idea of  an evil pollution-happy corporation dredging Crystal Lake and accidentally raising up Jason was surprisingly clever. I didn't expect that.

-When they eat "scrambled brains," Hitchhiker flings some of them at the Cook and says "The president's been shot!" That was demented gold.

-When Hitchhiker says something untrue, he pauses, then says "Not!"...that was gold, too.4 
-Jason and Leatherface cross swords immediately- they don't waste time!

-This seemingly takes place after the ninth "Friday"- he's wearing the mask from that film, as you can see above- but Jason starts the story trapped in his position from the the end of part 6. Get it together, Topps Comics!

-The Sawyers are called "the Slaughters" in this comic. No clue why. A rights issue tangled up with the name?

 -Fun fact- in 1995, when this was published, New Line owned the rights to Leatherface and Jason AND Freddy. Missed opportunity there, not throwing Freddy in. They could've been like a super-evil Avengers.5

 -It's fun when Jason walks away from the train he blows up without a second thought. He was an OG regarding Cool Guys Not Looking At Explosions.

 -The "Chainsaw" continuity is totally random- Leatherface is hunting from their house in the first issue with someone called "The Hitchhiker" who kind of looks like the dude in the first film, but he talks like Bill Moseley in the second film, plus he has a swastika on his face and I don't know where that came from. And they have an obese decayed "aunt"- or is it their mom?- who appeared in the house from out of nowhere. So much "Wha?"

 -Jason has a green head with pink mounds in some panels. Is that a weird coloring error or a reoccurring alien tumor disease?

-The artwork is surprisingly competent and the violence is ridiculously graphic.Two decades before "Crossed," this out-grossed it. No, I will not inflict panels from this comic on you here in order to prove my point.

 -It's neat that Jason and Leatherface become pals. You know, some friends become enemies, some enemies become friends...
-The Cook has a huge grin that makes him look like a non-makeup Joker in most panels. According to this comic, he's Leatherface & the Hitchhiker's uncle.7

 -Camp Crystal Lake is in Vermont. Who knew?

 -They got a real writer to do this comic, not just some random hack! Author Nancy Collins wrote some short stories I enjoyed, plus the well-regarded vampire novel "Sunglasses After Dark."

 -The whole thing is told from Jason's perspective. It's neat to get insight into how he processes things. It's kinda the way Robert Englund said he approached Freddy Krueger- he hates those that live and love because he can never do those things. And Jason is understandably offended by Leatherface at the end because they're friends and Jason defends him and gets rebuffed for his troubles.8

 -I'm terribly curious to know what happens with the polluting corporation that sets its headquarters in Crystal Lake after draining the lake. Is it gonna get possessed by the town's inherent evil and hire Mitt Romney as a consultant? Paging Mr. Morse. Paging Mr. Eric Morse. Low-hanging fruit for another book here!

TLDR Executive Summary: Crazy comic series. Lots of interesting stuff. Fun if you're a fan. But I don't think it's worth the $60 it would cost you to get it on eBay.

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 1. And not just rare, but EXPENSIVE!

 2. Topps Comics' "X Files" series was actually pretty solid- I reviewed 'em here. Their "Dinosaurs Attack!" comics- not so good. I read 'em all, but won't dignify 'em with a review.

 3. There are conspiracy theories regarding the temporary suppression of the fourth "Chainsaw" film, many believe McConaughay's people tried to bury it to keep it from damaging his up-and-coming career. Maybe. But Mr. Alright-Alright-Alright has nothing to be ashamed of in the film. He's a wonderful psychopath, very compelling to watch. Zellweger is the one whose acting sucks. She even made fun of her performance in this film when she watches it in her later "serious" film, "White Oleander."

 4. Not!

 5. And Miramax owned Pinhead and Michael Myers at the time- there's a crossover that shoulda happened, too!

 6. And sometimes just gratuitous. Hacking the dog in half- ew. No.

 7. He also might be their dad since it's implied he had a sexual relationship with his sister. And he calls one of them his "brother" later in the comic- family ties are fuzzy in the Texas sticks, I reckon.

 8. As a result, I was rooting for Jason in the fight, even though he's the immortal one and didn't need my rooting.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 12, 2015

Literateur: "The Scarlet Gospels" by Clive Barker

After a three-decade hiatus,1 Clive Barker is writing horror again!
And he's coming back hard. The book's opening sequence is the most violent thing he's ever written, and that's saying something since this is the guy who wrote the legendary six-volume "Books of Blood" story series.

The carnage is downright overwhelming by the end of the book. It's like that Stalin quote about one death being a tragedy and a million deaths being a statistic. This book's ending is heavy on the statistics.

Basic story: Pinhead- Barker's villain from "Hellraiser"- is up against Harry D'Amour- Barker's protagonist from several books, stories, and movies.

Now this was a wise move because the cosmic stuff is so large-scale, it would completely drown out any new human characters. It needs a familiar and established human element to ease us in.

Now even so, it doesn't work. D'Amour and his assistants are just doddering about and bickering and reacting for the majority of the book. They all blend together. I've already forgotten all of them except for Harry and his best friend.

Pinhead2 has decided he's had enough of Hell's status quo, so he hunts down every magician on Earth to gather all the magical knowledge and use it to take on Satan.

Pinhead wants Harry D'Amour to serve as his scribe, witnessing his acts to write a new testament of his ascension and takeover of Hell- his "scarlet gospel," if you will. Pinhead says Harry's reputation in occult circles would make his account objective and unimpeachable.

D'Amour politely refuses. It's terrific that when Pinhead first appears, D-Amour doesn't hesitate, just shoots Pinhead in the face repeatedly. It doesn't do any damage, but credit for the attempt!

So Pinhead responds by kidnapping D"Amour's best friend and it becomes a cat-and-mouse game with Harry and his friends chasing Pinhead through every area of Hell, ending in a showdown with Lucifer.

Lucifer is an interesting, sympathetic character. Everything he does and says is compelling.

Pinhead's portrayed as the monster he is. In the "Hellraiser" movies, his carnage and violence was always cold and a degree removed. Here, he beats and abuses and tortures people with his bare hands. He's jaw-droppingly cruel to his assistant, who becomes the most gruesomely mutilated demon in Barker's oeuvre.

Barker seems to be taking Pinhead back by doing this. He reminds us that this is not a friendly movie monster, he's a demon from Hell.

Barker also ignores everything that happens in the "Hellraiser" film sequels. It would take a mega-spoiler to explain how it contradicts the ending of "Hellraiser IV," which I reviewed here, but trust me- Barker rewrites history here. And Berker's version is better.

There's some neat stuff with ghosts, a new element in Pinhead's world, and it pays off with a nice, heartfelt ending.

The book has WAY too many f-bombs. It's like Barker's trying to prove he's not writing kids' fantasy books anymore by making this as pottymouthed as possible. But it has the reverse effect- this approach comes off as less mature, not more.

There are sections where two groups are just traveling from one place to another. This is a trope that drives fantasy fiction and helps keep the page count high.3

The book's philosophy, when it settles down to preach, is a pretty shallow YOLO. Disappointing, but Barker's always been a trendy, neon-morality kind of guy.

The "Hellraiser" world is known for its blurring of pleasure and pain- which I've never appreciated or understood- but Barker doesn't dwell on it much here. This pain and mutilation is mostly just ugly here. The sense of dread is palpable- you realize how high  the stakes are when there's a constant prospect of brutally intense, long-lasting mutilation. Barker's vision of Hell and suffering is terrifying.4

This was random, but there's this fundamentalist preacher thrown in there at the end and he never acted as anything but an axe for Barker to grind. His raging, irrational homophobia dehumanized him so the characters could feel okay about stealing his car. It was an out-of-the-blue, pointless tangent after the huge showdown in Hell. And it made a big point about two forgettable supporting characters, who I didn't even notice were gay. Barker underplayed that, which made it kind of odd when it became a big deal in the last few pages.5

And speaking of Barker, have you seen him lately? His author photo in this book is rough. Look him up on YouTube. Oof. He says he has throat polyps but it looks like complications from HIV.

And there's the rub. Barker lived with a partner from 1996 to 2009, when his partner left him and sued him for giving him HIV. I don't know anything more than that and I don't want to. It's tough to realize that one of your favorite writers did such a horrible thing.

It certainly explains why he's writing horror again. Barker was in an abusive relationship when he wrote the "Books of Blood." And it's pretty clear he's in a dark place again.

So this was an interesting piece of work. Flawed, imaginative, and fresh. But I wish Barker was happy and healthy and still writing fantasy and kid's books. The best horror book in the world isn't worth an author's life falling apart.

* * *

1. His stuff has been fantasy since, but there's been some DARK fantasy, in fairness. "Great and Secret Show" was more intense, twisted, and violent than anything by Stephen King. Oh, and Barker wrote "Mister B. Gone" in 2006, which was about a demon and it kinda resembled horror, but it was totally a fantasy book.

2. This book reveals that he prefers being called "Master" or "Hell Priest"- he HATES the nickname "Pinhead" and will make your death extra-painful if you use it.

3. Lookin' at you, George R.R. Martin. You got so many people uneventfully walking from place to place, Tolkien thought you were dragging it out a bit.

4. I remember as a very agnostic kid, "Hellraiser III" made me think seriously about the whole issue of Hell. Horror is conservative in a lot of ways- have sex, get killed- and Barker's Catholicism-fueled vision of Hell is so intense, he could easily scare some people into believing. You don't want your flesh shredded by hooks and rusty chains for eternity, do you? The notion sure gave me pause!

5. Reading Barker as a kid, I didn't know or care that he was gay. I tend to be oblivious to people's sexual orientation.


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.

Wednesday, August 5, 2015

Cinemasterworks: More No-Attention-Span Reviews

"Outcast"
It stars Nicolas Cage and Hayden Christensen. Any questions?

"Mission Impossible: Rogue Nation"
Much like the "Fast"/"Furious" films, these get better as they go along. Some fantastic action set pieces, stunningly well-shot.

"Harmontown"
Emotionally overwhelming and draining but compelling portrait of the mad genius behind the TV show "Community."

"Kung Fu Hustle"
"Looney Tunes" meets Bruce Lee. Lots of wild tonal shifts and jaw-dropping visuals.

"Woman in Gold"
Helen Mirren plays a lady trying to get back a famous piece of art stolen from her family by the Nazis. Well-handled and suspenseful and heartfelt. Ryan Reynolds looks nothing like Green Lantern or Deadpool in this film.

"The Longest Yard"
People gave Adam Sandler money to remake a perfectly fine 70's Burt Reynolds film.

"The Cobbler"
People keep giving Adam Sandler money to make movies.
"The Search for General Tso"
Fascinating (and mouth-watering) documentary about the history of General Tso's Chicken.

"Alive"
Plane crashes in the Andes. Rugby team turns to cannibalism to survive. Not bad.

"Todd Barry: The Crowd Work Tour"
Comedian goes on tour without any material, his entire show is interacting and goofing on the audience. Frequently brilliant deadpan humor.

"Inside Out"
Not saying I cried. Not saying I didn't. These Pixar guys- they're going places.

"The Prince"
Netflix tries to trick you into thinking this is a Bruce Willis movie. He's barely in it. Fortunately, it's a Jason Patric film and he's a highly underrated actor and he's great here, a retired killer trying to rescue his daughter. Solid low budget action.

"Bernie"
Jack Black brilliantly portrays a lovable mortician who commits murder and is forgiven by his entire community due to his charisma. True story.
"The Expendables 3"
It took three films for them to get it right. Despite some good moments, the first one couldn't decide if it was a loving callback to 80's action films or a satire of them. The second one was way too goofy and collapsed under the weight of its wink-wink nudge-nudge in the final act. But this one is some Goldilocks-level lukewarm porridge. Just right. Bonus points: Mel Gibson plays a fantastic and surprisingly well-written villain.

"The Boxtrolls"
Exquisite, unusual, beautiful, and dark stop-motion fairy tale.

"Mad Max: Fury Road"
Great full-throttle non-CGI action. And that is all.

"Rosewater"
Jon Stewart wrote and directed a movie. It's not bad, it's just that it's 90% a poor schmuck getting beaten and interrogated in a small room. But it's good, I guess?

"The Benchwarmers"
10 minutes in and I just couldn't take it anymore. That "Napoleon Dynamite" guy had one performance in him and he just keeps doing various variations on it. Call me a Jon Heder hater.

"Terminator: Genesys"
It's exactly what you would expect it to be. Maybe even more so.

"An Amish Murder"
Not bad, but "Brigham City" did all this stuff better.

"Conan the Barbarian"
Some good moments, but duller than I remember as a kid. Also now that I've read the Robert E. Howard stories it's based on...they really missed the mark. The backstory and characterization are way off.

"Maps to the Stars"
I keep watching everything David Cronenberg puts out because I loved his 70's and 80's films. I need to stop. Some dark comic bits work, but this is an ugly mess overall.
"The Returned"
A heartfelt, serious zombie film where zombie-ism has been cured but the cure is in short supply and people start reverting. Well made.

"Chappie"
It's time we all accept that this dude made "District 9" and it was cool. And he probably doesn't have another good movie in him. "Elysium" was strike one. This is two. It never stops feeling like a half-cheesy, half-gritty cross between "Robocop" and "Short Circuit."

"20 Feet from Stardom"
Great documentary about background singers. Well worth your time.

"Scooby-Doo 2: Monsters Unleashed"
Written by the guy who went on to write and direct "Guardians of the Galaxy." It's not as good.

"Creep"
Not a fan of found-footage films, but this one is an eerie and deeply unsettling gem.

"A Force of One"
Early 80's mustache-adorned Chuck Norris unleashes roundhouse kicks and teaches cops how to fight a karate killer on a rampage around the city. Nice long takes, slow pacing. They don't make 'em like this anymore.
"The Octagon"
Chuck Norris again. He just doesn't look right with the mustache. He needs the full beard for me to feel comfortable watching him beat up the bad guys. His roundhouse kicks are great here, but the rest of the movie's surprisingly dull and lifeless, despite all the ninjamania action.

"Delta Force"
Yeah, I was on a Chuck Norris bender. I was heavily medicated after surgery on my leg. Sue me. I've heard this is a popular one, but it was my least favorite of the bunch. Chuck the Firetruck finally has his beard. And Lee Marvin is great. But like half of this film's two-hour running time is people sneaking around or Muslim terrorists spouting ideology on a plane they hijacked. There's no action until the last 20 minutes. Weak, I say.

"Late Phases"
Nice werewolf effects. Dana Ashbrook is in it and he turned into a werewolf in his first film, "Waxwork." If that was a deliberate shout-out to that film by these filmmakers, GOOD ON THEM.

"Sum of All Fears"
I don't remember why people hated this movie so much a decade ago. Its international politics and lost-nuke plot are super-relevant today. And Ben Affleck isn't that bad in it.

"[REC] 4: Apocalipsis"
The second and third one were fun. This one is just dull and pointless. This zombie franchise must end before it's too late.

"Faults"
Superb psychological thriller about a cultist deprogrammer, edited by a friend from my hometown. So I'm biased. But it's really good!

* * *

1. Random free footnote- I enjoy most movies I watch because I usually give up on them before they waste too much of my time. So for the record, I dropped the following flicks in the first few minutes because reasons. As your librarian I advise you to avoid:

"Java Heat"
"These Final Hours"
"Monsters: Dark Continent"
"The Walking Deceased"
"Honeymoon"
"Homefront"
"Hostage"
"Plague"
"Extraterrestrial"
"Sabotage"
"Killer Mermaid"
"Welcome to the Jungle"


-Phony McFakename

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Legal disclaimer: Me am on Twitter and Facebook and Instagram and YouTube and even Pinterest if that's your thing. And me books am on Amazon and Barnes & Noble and Kobo and probably some other places, too.